Undead Tuesday: The Vampire Diaries, Chapter Eight

I Swear I Will Finish This Even If It Kills Me And Brings About The Ending Of The Known Universe

Apparently, Tuesday is officially the most depressing day of the week. It’s too far from last weekend for us to still be happily reminiscing about the fun we had. It’s too far from next weekend for us to start getting excited about it. And there’s still more of the working week left to go than we’ve already got through. Also, if you’re the type who prefers the weekend to pass in a haze of Ecstasy, Tuesday is the day when you can expect the consequent endorphin deficit to really kick in and make you wish you’d never been born.

But hey, it’s not all bad, because we’ve got Chapter Eight of The Vampire Diaries to look forward to! And – after the disgraceful rape-apologist antics of last time – things are actually starting to look up. Maybe I might get to like Stefan and Elena after all!

Okay, I’m making that up. This book is still terrible. But Chapter Eight does have the odd moment which gives me hope. [Note from the future: why do I do this to myself, damn it?]

Elena’s in Stefan’s bathroom, mopping herself up and feeling angry. No, not with Tyler, the man who tried to rape her, because that would, you know, make sense and everything. She’s angry with Stefan, because he saved her from Tyler and didn’t curse anyone out while he did so and still has a wall around him, which is now apparently about the size and shape of the Great Wall of China.

Incidentally, Stefan’s Wall is rapidly becoming more annoying than Bella’s gigantic chest-hole.

If you're looking for a fun way to spend your evening, try googling "chest-hole" without the filters on.

Elena then decides she’s going to be annoying. To achieve this, she goes through some of Stefan’s stuff which he left lying around on his sideboard, and which consists of a dagger, an agate cup, a device which she describes as “a golden sphere with some sort of dial set into it” (over here we like to call that a Watch, but maybe it’s a Stateside thang) and some gold Florentines. I quite like this, because it’s an undeniable truth that when men get home, they all immediately turn out the contents of their pocket onto the nearest flat surface, then wander off again.

Also, it suggests that Stefan is still pointlessly carrying around the coinage of his youth, in the hopeless belief that somewhere, somehow, they will once again become negotiable currency. Bless.

By the way, wouldn’t it utterly suck to be perpetually eighteen? I don’t know about you, but when I was eighteen, I was an idiot. For me, those first few heady years of adulthood were just one long, glorious train-wreck of crappy relationship choices, excruciating moments of social ineptness and poor wardrobe decisions. Admittedly my body was in better shape, but that’s a sacrifice I’m willing to make on the altar of experience.

For example, imagine never accumulating the life-experiences that allow you to see this and cry with laughter.

Anyway, onwards. To make up for the contents-of-a-perpetually-teenaged-Vampire’s-pockets moment of brilliance, we get a stupid conversation between Stefan and Elena. Demonstrating that even girls who remind relatives’ boyfriends of Helen of Troy are capable of having no insight at all into human psychology, Elena makes a big list of all the things she doesn’t like about Stefan, and splurges it out in one gigantic rant.

Things Elena Doesn’t Like About Stefan
1. He saved her without asking her permission first
2. He was in the graveyard without having an adequate explanation
3. He acts as if Elena is some kind of leper
4. She tried to be friendly to him (is that what we’re calling it these days? That strange I-shall-not-rest-until-he-is-mine performance in the graveyard?) and he threw it back in her face
5. He’s snubbed her in public “time after time” (incidental note to any young people reading: do not do this if you want the person in question to be speaking to you afterwards. Nothing annoys people more than being told they’ve done something bad repeatedly)
6. He’s humiliated her at school (I sort of love the implication that humiliating her in other places would have been better in some way)
7. He is only speaking to her because he just saved her life
8. He doesn’t want to be anywhere near her
9. He’s built a wall (again with the walls!)
10. He doesn’t trust anyone
11. He has had the barefaced bloody cheek to apparently fancy Caroline Forbes instead

Considering what just happened, this seems a little harsh.

A good conversation to have at this point
Elena: Thanks for saving me. That was very kind of you. Could you please call the police?
Stefan: I already have, and will be more than happy to be a witness.

In real life, this extensive listing of Stefan’s faults would pretty much guarantee they will never have a relationship. In Vampire World, this leads to Stefan kissing her, and the wall come tumbling down.

I'm hoping this means we never have to hear about Stefan's Wall ever, ever again.

And you know what? We now actually get some plot. Hooray! Unlike “Twilight”, where everything happens in the last fifty pages or so, in this book we’re actually seeing some stuff happening that isn’t just two drippy virgins flouncing around in a meadow and counting each other’s eyelashes. Meredith, Bonnie and Matt’s grudging rescue mission may not have got there in time to drag Tyler off Elena, but they do get to rescue someone called Vicky Bennett, who (in true Hollywood tradition) is glassy-eyed, dirty-faced, inarticulate and in her underwear. Apparently she was attacked by something with eyes while she was making out with Dick, and it was all around them and had eyes, and they couldn’t run, and it had eyes, and it was the same thing that got the tramp under the bridge, and it had eyes.

In a rare but welcome moment of sensible thinking, Meredith insists they take Vicky to a doctor, and since she’s the Vampire-book equivalent of the red-shirt Security Officer on “Star Trek”, that’s probably the last we’ll be seeing of Vicky Bennett.

I want this shirt so much it hurts.

Back in Casa Salvatore, Elena and Stefan are kissing, and I am getting angry again. Here’s a sample from this page-long unrealistic-expectations-fest:

She felt the tender pressure of his lips on hers, and she could hardly bear the sweetness of it. Yes, she thought. Sensation rippled through her like waves on a clear, still pond. She was drowning in it, both the joy she sensed in Stefan and the delicious answering surge in herself.

See, I can still remember my first kiss. It was very nice, and the boy I was kissing was likewise very nice, and I still have a sneaking fondness for the particular cheap aftershave he was wearing at the time. However – and I don’t think we were alone in this – neither of us actually had an orgasm, which is clearly what’s being described here.

And okay, most descriptions of sex and sexual relationships in novels are pretty unrealistic; but isn’t this taking it a little too far? Is it fair to teach impressionable teenage girls that if a boy doesn’t actually get them off with the mere touch of his lips on hers, he’s clearly not the one for them?

Or maybe that long-ago boy and I were just doing it all wrong.

I was actually looking for a some suggestively-shaped lemons, but when I googled "Rude Lemons" and this young lady popped up, I decided she was much better.

But, since it’s nice to end on a positive, I am going to say again that at least this book has a proper plot. When Stefan and Elena wander back in a dreamy, post-coital fashion to Elena’s place, they find everyone else waiting for them, eager to discuss the freaky shit that went down in the graveyard earlier. Admittedly, everyone’s suffering from that strange blindness to the existence of Vampires that exists in all modern Vampire novels; but that’s okay, they’ll get there in the end.

Who could it be? Who’s behind the mysterious deaths / attacks / tramp-drainings? Stefan clearly knows more than he’s letting on, and I am betting it has something to do with that spooky lecherous crow from the first chapter, and that it’s going to be his brother or something [note from the future; yup], but Elena doesn’t care. Stefan kissed her, and everything’s fine, and they’re going to get married in a pretty white church with Meredith and Bonnie for bridesmaids, and go off to California and farm lemons for all eternity.

Reading this book is bad for my soul. I can feel it. What should I be reading instead? Leave me your recommendations as a comment and I promise I’ll read and review them. It doesn’t have to be YA (although YA is good) – just pick a book whose existence you think I ought to be aware of. Over to you…

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Hooray For Hollywood: Noel Fielding’s Real Parents

plus

equals

Strange but true.

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Undead Tuesday: The Vampire Diaries by L J Smith, Chapter 7

In Which Everyone Gets Angry About The Wrong Things

I’m starting to wonder if the problem here is that I’m way, waaay too old for this shit. I mean, rationally, of course I’m too old for it, since this is a Young Adult book, and I’m about two decades past young-adulthood. But maybe it’s deeper than just the cynicism of age: maybe the modern age operates to an entirely new set of morals and social codes, and all the stuff I tend to assume is part of the shared human experience doesn’t really matter any more.

Like Chapter Seven of this book, for example.

If you’ve been paying the kind of attention I know I can expect from my wonderful, discerning readers, you’ll remember that C6 saw Elena flouncing out of Prom on the arm of charmless meathead Tyler Smallwood (incidentally, I really, really want his name to be a pun). So naturally, C7 opens with Bonnie, Meredith and Matt deciding what they ought to do about this. How this goes down exposes all kinds of uncomfortable truths about the universe these guys inhabit:

“She went with Tyler Smallwood,” said Meredith. “Matt, are you sure you didn’t hear where they were going?”

Matt shook his head. “I’d say she deserves whatever happens – but it’s my fault too, in a way,” he said bleakly. “I guess we ought to go after her.”

“Leave the dance?” Bonnie said.

Now, let’s be clear. This being a YA Vampire book, I’m in absolutely no doubt that Elena is about to be nearly raped by Tyler [note from the future: sometimes, I’d actually quite like it if my faith wasn’t justified], because thanks to Edward and his Volvo, this is what always happens in YA Vampire books. This entire particular convention is, in and of itself, disturbing beyond words.

But this little exchange is possibly even worse.

Firstly, Meredith clearly knows Tyler Smallwood has form for sexual aggression. No-one asks her to clarify what she’s just suggested, so let’s assume this means this is common knowledge. So why the actual FUCK is he still walking around in the world? Of course, we all know why, and I’ve written about it more seriously here. But if the support of the legal system is too much to hope for (and clearly, it is) is it too much to ask that the people who commit these acts experience some form of social approbium? Specifically, does he have to be welcomed to the Prom?

Letting this man into your party not legal obligation, human race finally realises

And then, Matt steps up to the plate. “I’d say she deserves whatever happens.”

I’d say she deserves whatever happens.

Matt’s supposed to be a nice guy; Mr Average who doesn’t get the girl, but can be counted on in a crisis. I’d say, says Mr Nice Guy, that this girl I’m supposed to be in love with deserves sexual molestation, administered by the Kangaroo Court of Mr Tyler Smallwood, for the crime of liking a boy who isn’t me, and flirting with some other boys who are also not me. Is this really how young nice guys think these days? “I suppose we’d better go after her,” he grudgingly adds. Yes, Matt, I too suppose that you’d better make some sort of effort to save Elena from the known sexual predator in your midst, because that might allow you to make some small recompense to women everywhere for allowing the thought of “She deserves it” to cross your mind. Why don’t you get right on with that, then?

Oh, right; because Bonnie doesn’t want to leave the dance.

Dear God.

Let’s leave this sorry group of individuals and head over to the cemetery, where Elena’s ignoring every instinct in her which is telling her to run away. Tyler proves his meathead credentials by attempting to throw a rock at the moon (srsly), then invites her to “flick my Bic” before desecrating a grave or two. This all combines to make Elena “uneasy”. As Gavin de Becker brilliantly explains in his justly famous book The Gift Of Fear, ignoring genuine fear signals is one of the most dangerous things we can do. Sadly, this is a mistake hundreds of us make every hour, so it’s not fair to tear into Elena for doing the same. Also, what happens to her next is not her fault; it’s Tyler’s fault, and although society says he’ll probably get away with it, he absolutely shouldn’t.

So, after everyone’s fooled around in the cemetery and drawn on the tombstones a bit, Tyler charmlessly detaches his victim from everyone else and takes her off into the bushes to tear the clothes off her. Elena fights back a bit, Tyler’s winning, Stefan does a bit of angsting about how the last time he went to the cemetery he accidentally ate a passing tramp, and then he finally goes charging in to the rescue.

Incidentally, The Hunger Games by Suzanne Collins is much better than “The Vampire Diaries” in every possible way.

Now let’s look at what Stefan says to Tyler while he takes him apart:

“When I first met you, I knew you hadn’t learned any manners,” said Stefan… “But I had no idea that your character was quite so under-developed…a gentleman doesn’t force his company on anyone…he doesn’t insult a woman…and above all, he does not hurt her.”

So on the plus side, Stefan is at least approximating some variety of righteous anger at Tyler’s criminal behaviour. On the very big minus side – the opposite of “gentleman” is not “rapist”.

According to Wikipedia, the definition of “gentleman” is as follows:

“The term gentleman (from Latin gentilis, belonging to a race or gens, and man, cognate with the French word gentilhomme, the Spanish gentilhombre, the Italian gentil uomo or gentiluomo and the Portuguese gentil-homem), in its original and strict signification, denoted a well-educated man of good family and distinction, analogous to the Latin generosus (its invariable translation in English-Latin documents).”

So basically, “gentleman” means you had rich parents, went to school, had some good conversation and knew which fork to use for the fish course. These are mostly good things, or at least things which are not automatically bad. However, when putting together the typical profile of a rapist, “is unable to correctly identify a soup spoon” does not traditionally appear.

This is because rape is not an act of bad manners. Rape is a crime.

Why this matters is because learning how to correctly judge which men are likely to harm us is something of huge importance to all women, everywhere. As we all know, it’s already difficult enough. During our lifetimes, one in five of us will make the wrong call, and be temporarily fooled by one of these wolves in sheep’s clothing. Suggesting that nice, good-looking men with impeccable table manners can’t possibly have malign intentions towards women is stupid and dangerous.

Tyler is a mannerless pig, who thinks that offering a cigarette lighter to Elena and inviting her to “flick my Bic” is a masterpiece of witty sexual badinage. Tyler is also, as subsequent events prove, a rapist. But Fact A does not cause, equate to or in any other way enable us to spot Fact B. It’s perfectly possible to scratch your belly in a restaurant and still understand in the very heart of your being that rape is wrong. It’s perfectly possible to be able to correctly interpret a wine-list and still be a rapist.

I’m glad that Stefan rescues Elena. I’d have preferred a story where Elena gets herself out of trouble by her own efforts, or even a story where Elena listens to what her own best and wisest self is telling her, and runs like hell out of that cemetery before Tyler gets anywhere near her; but I’ll settle for Stefan saving her, in the approved Vampire manner. But if I do nothing else with what was meant to be a light-hearted deconstruction of an entertainingly bad piece of fiction, I’d like to point this out these few simple facts. In this chapter, we see a man tell two women that their friend deserves to be raped, and they don’t challenge him on it. In this chapter, we see a woman who would rather stay at a dance than help protect her best friend from rape, and she never seems to be ashamed. And in this chapter, we see a man seriously suggest that Not Committing Rape is the sole preserve of the gentleman, who was trained from birth in the ways of civilised behaviour.

Here are some alternative things you could do with the £4.66 it would cost you to buy The Vampire Diaries from Amazon:
1. Buy two copies of The Gift Of Fear, by Gavin de Becker – one for you, and one for a good friend.
2. Buy a copy of The Hunger Games by Suzanne Collins, which is a much better read all round.
3. Make a donation to your local Women’s Aid organisation.

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Great Moments In Retailing: The Trago Mills Series

I don’t blame them.

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Adventures in Trash: “Agatha Raisin and the Quiche of Death” by M C Beaton

Miss Marple Was Never This Terrifying

Over the course of fourteen years in Marketing, I worked with a lot of PR executives, from really quite a lot of companies. They came in two basic varieties: young girls who intimidated me by being prettier, slimmer, better-dressed and posher than me; and older women who intimidated me by being richer, tougher, cleverer and with a better car than me. (There were a few men as well, but they had a henpecked look about them and never seemed to last long.)

The factor that united these groups, however, was that I couldn’t get the hang of any of them. I suspect the feeling with was entirely mutual, because – despite all the Darlings and the air-kissing and the biscuits – I was always utterly convinced that they secretly hated me too, for being Northern and scruffily dressed and cynical, and for being the client and therefore being someone they had to be nice to, even though under ordinary circumstances they would just have given me a scornful glance and flounced off to a party in Chelsea.

But – in the same way that my son is fascinated with the Undead levels of Skylanders – I do really quite like watching people like this from a distance. Also, I really really like the works of Agatha Christie. Discovering wonderful blogger Mme Guillotine’s pleasingly 3am review of a book I’d never heard of before, about a horrible PR executive who retires to the country and solves mysteries, was a very good moment.

"Turn your back on me, darling, and I'll kill you."

Plot summary. Agatha Raisin, recently-retired PR wonder-woman, has sold her hugely successful Mayfair PR firm and retired to the annoyingly idyllic Cotswolds village of Carsely. After making a deadly enemy of her next-door neighbour Mrs Barr by employing ruthless recruitment tactics to blatantly steal her cleaning-lady, Agatha decides it’s time to raise her profile by entering the Village quiche-making contest. Since she can’t actually cook, she enters a quiche from the wondrous Quicherie, a chic London delicatessen owned by Mr Economides.

Unfortunately, the quiche doesn’t win (this is because the judge, Mr Cummings-Browne, only ever gives the Quiche prize to his secret squeeze Mrs Cartwright). Even more unfortunately, it turns out to be poisoned. Most unfortunately of all, the person it poisons is Mr Cummings-Browne, who is discovered horribly dead behind the sofa the day after the Quiche contest. Suddenly, Agatha is in the frame for murder. Determined to clear her name and impress all her neighbours with her brilliant crime-solving expertise, Agatha starts poking around in the investigation to see if she can work out what happened.

Almost certainly not deadly.

Having said how much I love Agatha Christie, I should probably say at once that – despite its clear debt to the world and sensibilities of Miss Marple – Agatha Raisin and the Quiche of Death isn’t much like a Miss Marple book. Christie’s special authorial trick is being cleverer than the reader. She constructs intricate mysteries that you almost never see the solution to (I say “almost never” only because over the course of nearly a hundred books, it’s inevitable that occasionally you’ll stumble over the right solution before the last page). M C Beaton’s mystery, by contrast, is pretty un-mysterious. Mr Cummings-Browne was murdered by the person you’d expect to murder him, and for more or less the reason you’d expect. Christie writes detectives who are charming and likeable, clever students of character whose personal eccentricities are more than made up for by their wisdom and kindness. Agatha Raisin is horrible, and motivated entirely by personal benefit.

Nonetheless, Agatha Raisin, in all her nastiness and spite, is what makes this book such a delight.

When it comes to fiction, there are few things more delightful than a really well-written monster. Beaton, on the other hand, reeled me effortlessly in with this particularly excellent description of Agatha in the first chapter:

Agatha was aged fifty-three, with plain brown hair and a plain square face and a stocky figure. Her accent was as Mayfair as could be except in moments of distress or excitement, when the old nasal Birmingham voice of her youth crept through. It helps in public relations to have a certain amount of charm and Agatha had none. She got results by being a sort of soft-cop / hard-cop combination…

When I first read this, I thought, “But, but, you can’t print that, you can’t! That’s so clearly meant to be -” and remembered a long-ago PR foe, whose name I’m not going to mention here because 1) I’m probably wrong and 2) I don’t want to get sued. If you’ve spent any time around the PR industry, you’ll probably have your own real-life analogue for Agatha. Even if you haven’t had the pleasure of being fed and patronised by well-dressed people who are pretending to like you, you’ll probably feel a sense of recognition. Agatha, like all the best literary monsters, is our own worst selves; snobby, spiteful, venal and petty, self-interested, self-absorbed but not in the least bit self-aware.

And yet, somehow, despite all this, she’s likeable. Mrs Bloxby, the near-saintly vicar’s wife, likes her. Bill Wong – the amiable British-Chinese detective who breaks all the rules of Detective fiction by being cleverer than Agatha – likes her. Damn it, I like her, even though I roundly hated all the real-life people she reminds me of. (Her neighbours Mrs Barr and Mrs Cummings-Browne both hate her, but they’re awful, so they don’t count.)

Why is it enjoyable to read a story in which a charmless woman solves the murder of a charmless man by his charmless nemesis, in a series of events set in the small, snobby, us-and-them world of an insular Cotswold village? I think the answer must lie in the gleeful pleasure of looking at awful stuff from a distance. In the same way that I loved watching alligators eating the bloated corpse of a hippo on “Nature’s Wild Feast” (but would run a mile from actually being there in person), I love watching Agatha as she rampages around the Carsely, upsetting half the village on a daily basis and not giving a damn about any of it.

The Biologist equivalent of the shockumentary

This isn’t to say “Agatha Raisin” is perfect, because it’s not. While Agatha and Bill are delightful, well-drawn and well-rounded, the minor characters are a bit cardboardy and two-dimensional. The dialogue is wooden in places, and Agatha’s Cowbane-recognition skills strains the reader’s credulity. But the overall result is so charming that you’d have to be very hard-hearted not to forgive it. I can see the Agatha Raisin books attracting the kind of cult following who have in-jokes and code-words and special costumes, and enjoy getting together in hotels for weekends and trading their favourite lines of dialogue. I won’t be one of them, but I’ll certainly be passing several more happy, undemanding hours by reading more in the series.

You can buy “Agatha Raisin and the Quiche of Death” from Amazon as either a proper book for about a fiver, or a Kindle download for the bargain price of 89p.

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Great Moments In Retailing: Meadowhall Shopping Centre, Sheffield

Surprisingly, as it turns out, they’re not too keen on you photographing them either.

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Great Moments In Retailing: Langlands Garden Centre, Shiptonthorpe

You know how sometimes you’re walking through a garden centre and you see a garden ornament in the shape of, for example, a Meerkat dressed in a Fireman’s coat and helmet? And you stop and look at it for a minute, and wonder what on earth would make anyone buy it?

And then you decide you’re being really uncharitable, because it would be am awfully dull world if we all liked the same stuff? And after all, who’s to say there’s anything objectively wrong with wanting to have a garden ornament in the shape of a Meerkat dressed as a fireman, but only from the waist upwards – leaving its tail and haunches entirely naked and bare?

And then sometimes, you see a garden ornament, and you’re all like –

Truly. Who is there, on this entire frickin’ planet, who would ever, EVER want to own a stone which can unzip a massive scary eyeball so it can look at you from behind the begonias?

Tim prefers to accessorise his garden with adorably Emo zombie-girls, the severed heads of his enemies, and life-sized statues of Johnny Depp.

Just in case you thought this might just be some strange, one-off buying error – like the time I accidentally bought a bright orange batwing jumper made out of nylon wool, under the temporary delusion that it was a brilliantly fashion-forward choice that would win me great kudos at the school disco – there are an entire fixture of these things.

Really. A huge, three-tier rack of disturbingly realistic eyeball stones. Staring out at us from between their unzipped eyelids.

But hey, it’s only an eyeball, right? These stones can look at us, which is certainly pretty awful; but they can’t actually do anything to hurt us. It’s not as if they can unzip a gigantic mouth full of disturbingly white and well-formed –

– teeth.

Fuck.

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Published Work: Hey, look, I made the papers!

Here I am in the Hull Daily Mail, talking about “New World Fairy Tales” and generally attempting to pass for human.

If I sound a little bit like I’m writing rather than talking, that would be because I was writing rather than talking (the interview was by email). Hopefully I don’t sound like too much of a freak.

NB: I worked in marketing for well over a decade, and employed many different PR agencies whose sole, entire job was to get good coverage for the brands I was managing. In terms of space within the paper, this is easily the best coverage I ever achieved. So, yeah! I’m officially more newsworthy than cold remedies, kid’s analgesics and laxatives.

Which is nice.

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Great Moments In Retailing: Freezer Aisle, Sainsbury’s, Hessle

And people say the British are uptight and repressed and have absolutely no sense of humour.

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Adventures In Trash: “The Vampire Diaries” by L J Smith (Chapter Six)

Warning: This Is NOT How Boys Work

I was originally planning to get The Vampire Diaries out of the way in one gigantic, OMGwhyamIevendoingthis gulp. Then I got started, and realised my review was getting so enormously long that I was going to have to it in chunks. Okay, I thought. Five chapters at a time. That’s do-able.

Then I got to Chapter Six, and it all got a little out of hand.

There are so many books I’ve read recently that I adored, and can’t wait to tell you about at great length. I don’t want the “Reviews” strand of my blog to turn into a massive exercise in snarkiness. But I hate leaving projects unfinished, and damn it, pulling The Vampire Diaries to pieces is just so much fun to do! So maybe there’s maybe room for just a little bit of snarkiness. Just once a week or so, in among the other stuff.

Maybe I should pick a specific day for it. Undead Tuesdays, or something…

Anyway, what I’m saying is; I think we’re going to have to go to a post per chapter to get through it all. Sorry about that. There will be other stuff as well. But once you’ve heard the siren call of the Immortal Undead, there’s no way back for any of us.

Chapter Six
We open on Elena, writing in her diary, speculating about that guy who had his blood drained out of him the other week (I do love that strange blindness all inhabitants of Vampire fiction are required to practice in order to avoid noticing that they’re, like, surrounded by vampires and stuff) and completely losing her shit over Stefan. Apparently this one time, in History class, he was totally staring at her – sitting sideways in his chair to do it and everything! – and oh, Dear Diary, do you think this means he might be interested in me? Seriously, if I didn’t hate Elena so much I might actually feel sorry for her.

Ah, you know what? I kind of feel sorry for her anyway. It’s hard not to pity someone who regards sending herself red roses from a made-up Frenchman as 1) normal 2) worthwhile or 3) ensuring that “my social position’s secure”.

On the other hand – waaaay over-invested in Stefan. He is, apparently, unlike any other boy she’s ever known. Okay, on the one hand, he is a soul-less member of the Immortal Undead, so on some level he probably is unlike any other boy she’s ever known. On the other hand, her evidence for Stefan being unlike any other boy seem a little thin:

Reasons Why Stefan Is Unlike Any Other Boy Elena Has Ever Known

1. He is on the football team. Clearly a freak, then.
2. He doesn’t hang around much with any of the guys apart from Matt. Or, as I would like to phrase it, “since arriving in town precisely twenty-two days ago, has already made one good friend.”
3. He doesn’t hang around with any of the girls either. Yes, every teenage boy I ever knew simply loved to spend hours of his day talking to girls about girl stuff and – oh wait, hang on a minute.
4. He doesn’t go to the cafeteria.
5. He doesn’t go to the coffee shop. Better call the FBI, Flopsy, I think we’ve got a live one on our hands.

...and the appeal of the Haemovore lifestyle is instantly clear.

Elena finishes with the following delightful thought: “How can I ever get him somewhere he can’t get away from me?”

Just for a minute, let’s imagine a boy expressing this sentiment. JUST SAYING.

Next up, we’re back at Fell’s Church High School for the Matt and Elena show, in which we get to enjoy what is surely the world’s least unlikely conversation between a man and a woman, anywhere, at all, ever [note from the future: actually, I think I called this one a little early]. Elena belatedly realises that her I-was-shagging-a-Frenchman scheme may possibly have upset the guy who was at the time her actual flesh-and-blood boyfriend just a little tiny bit, and apologises to him. From this, Matt instantly divines that Mr Red Roses was made up, and furthermore, that he was only made up because Elena was so upset about Stefan not liking her after she’d known about his existence for a whole thirty-eight minutes.

I can just about buy that Matt realised Elena had invented Monsieur l’Oignon for some strange, dysfunctional purpose of her own. But how he got from “She’s inventing all kinds of shit” to “because that noob didn’t want to count her eyelashes by the lockers” is beyond me. Maybe boys in Fell’s Church have some weird genetic mutation that makes them all ludicrously intuitive.

Or maybe – just maybe – the boys in this book are nothing at all like boys in real life. Your pick.

Anyway. It turns out we’re only just beginning to see the sublime heights of sensitive insight that Matt the Lapdog is capable of. According to Matt, Stefan seems to have put up this, like, wall around him? A wall that, like, no-one can get through? And Matt doesn’t think he’ll ever let anyone through the wall? Which is totes a shame and stuff? Because, like, behind that wall, he thinks that Stefan is, like, really really miserable? (To be fair to Smith, Matt doesn’t actually say any of this in a Valley-girl voice. But that’s how I heard it in my head.)

Find me one teenage boy who has ever given more than about five seconds’ thought to the emotional state of another boy. Just one. JUST ONE. Find me just one, send me the evidence and I’ll sell a God-damned kidney and give the proceeds to the charity of your choice.

Just so we're clear: Manga drawings do not count.

One thing I will say for Elena; she likes to have a plan. Unlike Bella, who mostly just mopes around the place waiting for stuff to happen to her, Elena takes control of her destiny. Her latest foolproof scheme is that Matt will now help her, Elena, to get behind the wall? That wall that Stefan’s living behind? Because that would be, like, a really good thing to do and stuff? (Sorry, still not actually written in Valley-girl, but I just can’t help it.)

Unfortunately for Matt, this plan involves Matt being responsible for taking Stefan to the Homecoming Prom.

Here’s why this would never happen. With a few courageous and admirable exceptions, teenage boys – even the ones who are actually, irrefutably gay – are paranoid about looking gay. This shouldn’t be true. I hope that one day it will cease to be true. But right now, it is true.

Knowing this fact, even as we despise it – is Matt going to ask Stefan to the prom?

The Internet now officially contains all things imaginable to the mind of man.

How This Conversation Should Actually Have Gone

Elena (distraught): Matt…I’m sorry!
Matt: About two-timing me with that French dude? So you should be!
Elena: I made him up.

[PAUSE]

Matt: Um…sorry, what?
Elena: Because I wanted Stefan to be interested in me.
Matt: You sent yourself red roses to make some dude you met three weeks ago want to date you? Are you for real?
Elena: He’s not like any guy I’ve ever known. Do you ever get the feeling that he’s put up this wall around him?
Matt [BACKING AWAY]: What? What wall? What the fuck are you talking about?
Elena: Please will you bring him with you to the Homecoming dance so I can try and get my freak on with him?
Matt: Never, ever speak to me again as long as I live.

But hey, this is Vampire fiction, folks! And in Vampire fiction, boys – the Undead ones, the Were-ones and even just the plain old ordinary ones – are as sensitive as all get out, and simply love running around after girls who have dumped them, then retrospectively cheated on them with a made-up Frenchman.

Maybe it’s best if I just walk away from this line of thought. In the next scene, it’s Prom Night, and Elena is being made beautiful by her minions, who clearly have nothing better to do with their evening than groom the Alpha Female. Somehow, whenever I read a scene like this, I always think of chimpanzees, so that’s how I’m picturing this scene: a nice, pretty chimpanzee girl in an ice-violet frock. Being groomed makes me feel all happy and relaxed, but Elena is mostly being grim, miserable and determined. In fact, she actually describes herself as (and I’m quoting here) “a very young soldier being sent to the front lines”.

Okay. This is YA fiction, and Young Adults are, by definition, young. This means they’re allowed to be immature, self-absorbed and melodramatic in all the wrong places. But the spoilt and beautiful Homecoming Queen comparing herself to “a very young soldier being sent to the front lines”, in a world where very young soldiers are actually being sent to the front lines?

Words fail me.

Oh, of course Elena’s the Homecoming Queen! Was there ever any doubt? And of course, this means she can have absolutely anything she wants, including a relationship with a boy who has basically no interest in her, because those are totally the rules when you’re Queen. Bonnie and Meredith said it, so it must be true. So, that’s nice. Then they go downstairs, and Elena’s aunt’s boyfriend Robert gives Elena a long and creepy stare, then announces that he has just realised that Elena is a form of Helen, as in Helen of Troy, and that’s who Elena reminds him of.

Compliments You Can Expect To Get From Your Aunt’s Boyfriend On Prom Night

1. “You look nice”
2. “That’s a nice frock”
3. “Those are nice flowers”
4. “That’s a nice thing you’ve got in your hair”
5. “I’m sure you’re going to have a very nice evening”

Compliments You Will Never Be Given By Your Aunt’s Boyfriend On Prom Night

1. Anything involving laboured allusions to doomed heroines from antiquity

Inexplicably, Stefan has accepted Matt’s shy invitation to Prom Night, and has come wearing his best cashmere sweater, and a wondrous black blazer, which is subtly different and more elegant to any other blazer ever worn by human boy before. Ms Meyer’s lawyers will please note the care with which Stefan has avoided the colour beige.

And then, the moment! Stefan asks Elena to dance! Because people tend to notice shit like two people standing deadly still and staring at each other for hours without moving, I’m assuming the amount of time this occupies in the narrative is about as long as you’d expect; i.e., a maximum of seven or eight seconds. However, it’s possibly the busiest seven or eight seconds of Elena’s life to date.

Things Elena Realises In The Time It Takes Stefan To Ask Her To Dance

1. she’s beautiful
2. She’s playing with either
a) fire or
b) something she doesn’t understand (I’m going to be generous and presume she’s capable of understanding Fire)
3. An instinct older than civilisation is prompting her to run
4. Surprisingly, this same instinct is also telling her to not run
5. This the most intense moment she’s ever experienced with a boy
6. Stefan’s eyes are green like oak-leaves in the summer
7. Stefan is having a good time
8. Stefan is somehow also not having a good time
9. Stefan looks as if he’s in pain (I sympathise)
10. Stefan’s eyes are going black with desire
11. Stefan is thinking about kissing her
12. Stefan is hypnotised by her beauty

Damn, this girl is good at realising and noticing! I’m exhausted just reading about it.

It’s probably a good thing for the emotional energy of everyone involved that at this point, Evil Caroline (remember her?) turns up and claims Stefan for her very, very own. Clearly, this breaks Elena’s heart, because obviously every word Caroline says is totes true and isn’t in any way designed to upset Elena and make her feel bad, because srsly, who would do that? – and, and, and –

Okay, I need to get over myself, because this is is just a trope of the genre, isn’t it? The 1739 Standardisation Of Romantic Tropes Act clearly states that in any ambiguous situation, all romantic heroes and heroines are required by law to look at the possible options, find the absolute worst explanation available for what they’ve just witnessed, and believe that one. As is traditional, Elena decides heal her shattered heart by dancing with every other boy who isn’t fast enough to run away from her, and then going off to the cemetery with some meathead called Tyler.

Ohhh, I can feel a rape-rescue scenario coming up here. [Note from the future: damn, I’m good.]

Best line of the chapter: “You only want everybody and everything revolving around Elena Gilbert.” Matt, for this brief but deadly moment of clarity, I salute you.

If you absolutely must, you can buy The Vampire Diaries from Amazon, here. But why would you want to do that? Instead, why not buy The Atheist’s Daughter, by the fabulous husband-and-wife team Renee Harrell? You can read my review here, and you might also like to swing by Renee Harrell’s blog at MarsNeedsWriters.com.

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